Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career. Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.) As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisonerpenitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone (I'm a mechanic), yet the symbolism is rich he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played. The scene between Josh and Jane (a wonderful, young Edie Falco . . . You need a woman not a girl) is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly arty and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual am notare too argument). Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the unbelievable truth of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.
《难以置信的事实》在线观看完整版-高清电影-星空影院
发行年份：1989
首映地区：美国
导演：霍尔·哈特利
演员：安德林妮·夏莉,罗伯特·约翰·伯克,马特·马洛伊,凯莉·莱卡特
《难以置信的事实》在当时的电视剧市场中扮演了怎样的角色？
答：在当时的电视剧市场中，该剧可能通过独特的剧情和表现方式吸引了观众目光。
《难以置信的事实》这部剧的视觉效果和摄影手法有何亮点？
答：视觉效果和摄影手法可以为剧集增添视觉上的享受，吸引观众。
《难以置信的事实》在社会上有何影响？
答：该剧在社会上的影响可能包括引发观众对家庭、人际关系等议题的讨论。
《难以置信的事实》这部剧在您心目中的评价是怎样的？
答：我个人对该剧的评价可能取决于剧情、演员表现、和剧集的整体质量都感到过的去
您认为《难以置信的事实》脱颖而出的地方是什么？
首先，在情节方面，《难以置信的事实》展现了一个丰富而复杂的故事世界。剧中的故事线错综复杂，但每一条线都有独特的发展和情感深度，使得整个剧集充满了戏剧张力。尽管有些情节可能对于原著粉丝来说有所熟悉，但整体上，《难以置信的事实》成功地在原有的故事基础上增添了新的元素，使得故事更加丰富和引人入胜。
